William Saroyan

William Saroyan one of the best writers of America

William Saroyan, certainly, is the best American writer of the Armenian origin…
By The William Saroyan Literary Foundation International (WSLFI)…

William Saroyan (August 31, 1908 – May 18, 1981) was an American writer and dramatist. He was awarded the Pulitzer Prize for Drama in 1940, and in 1943 won the Academy Award for Best Story for the film adaptation of his novel The Human Comedy.

An Armenian American, Saroyan wrote extensively about the Armenian immigrant life in California. Many of his stories and plays are set in his native Fresno. Some of his best-known works are The Time of Your Life, My Name Is Aram and My Heart’s in the Highlands.

He is recognized as “one of the most prominent literary figures of the mid-20th century.” Stephen Fry describes Saroyan as “one of the most underrated writers of the [20th] century.” Fry suggests that “he takes his place naturally alongside Hemingway, Steinbeck and Faulkner.”

William Saroyan >> Biography

Early years…

William Saroyan was born on August 31, 1908 in Fresno, California, to Armenak and Takoohi Saroyan, Armenian immigrants from Bitlis, Ottoman Empire. His father came to New York in 1905 and started preaching in Armenian Apostolic churches.

At the age of three, after his father’s death, Saroyan, along with his brother and sister, was placed in an orphanage in Oakland, California. He later went on to describe his experience in the orphanage in his writings. Five years later, the family reunited in Fresno, where his mother, Takoohi, had already secured work at a cannery. He continued his education on his own, supporting himself with jobs, such as working as an office manager for the San Francisco Telegraph Company.

Saroyan decided to become a writer after his mother showed him some of his father’s writings. A few of his early short articles were published in Overland Monthly. His first stories appeared in the 1930s. Among these was “The Broken Wheel”, written under the name Sirak Goryan and published in the Armenian journal Hairenik in 1933. Many of Saroyan’s stories were based on his childhood experiences among the Armenian-American fruit growers of the San Joaquin Valley or dealt with the rootlessness of the immigrant. The short story collection My Name is Aram (1940), an international bestseller, was about a young boy and the colorful characters of his immigrant family. It has been translated into many languages.

Career of the writer…

As a writer, Saroyan made his breakthrough in Story magazine with The Daring Young Man on the Flying Trapeze (1934), the title taken from the nineteenth century song of the same title. The protagonist is a young, starving writer who tries to survive in a Depression-ridden society.

Through the air on the flying trapeze, his mind hummed. Amusing it was, astoundingly funny. A trapeze to God, or to nothing, a flying trapeze to some sort of eternity; he prayed objectively for strength to make the flight with grace.

Saroyan served in the US Army during World War II. He was stationed in Astoria, Queens, spending much of his time at the Lombardy Hotel in Manhattan, far from Army personnel. In 1942, he was posted to London as part of a film unit. He narrowly avoided a court martial when his novel, The Adventures of Wesley Jackson, was seen as advocating pacifism.

Saroyan worked rapidly, hardly editing his text, and drinking and gambling away much of his earnings. From 1958 on, he mainly resided in a Paris apartment.

I am an estranged man, said the liar: estranged from myself, from my family, my fellow man, my country, my world, my time, and my culture. I am not estranged from God, although I am a disbeliever in everything about God excepting God indefinable, inside all and careless of all.

— from Here Comes There Goes You Know Who, 1961.

Saroyan published essays and memoirs, in which he depicted the people he had met on travels in the Soviet Union and Europe, such as the playwright George Bernard Shaw, the Finnish composer Jean Sibelius, and Charlie Chaplin. In 1952, Saroyan published The Bicycle Rider in Beverly Hills, the first of several volumes of memoirs.

Saroyan’s stories celebrated optimism in the midst of the trials and tribulations of the Depression. Several of Saroyan’s works were drawn from his own experiences, although his approach to autobiographical fact contained a fair bit of poetic license.

His advice to a young writer was: “Try to learn to breathe deeply; really to taste food when you eat, and when you sleep really to sleep. Try as much as possible to be wholly alive with all your might, and when you laugh, laugh like hell.” Saroyan endeavored to create a prose style full of zest for life and seemingly impressionistic, that came to be called “Saroyanesque”.

In some respects, Saroyan’s characters resemble the penniless writer in Knut Hamsun’s 1890 novel Hunger, but lack the anger and nihilism of Hamsun’s narrator. The story was republished in a collection whose royalties enabled Saroyan to travel to Europe and Armenia, where he learned to love the taste of Russian cigarettes, once observing, “you may tend to get cancer from the thing that makes you want to smoke so much, not from the smoking itself.” (from Not Dying, 1963)

Saroyan’s plays were drawn from deeply personal sources, and often disregarded the convention that conflict is essential to drama. My Heart’s in the Highlands (1939), his first play, was a comedy about a young boy and his Armenian family. It was produced at the Guild Theatre in New York.

Saroyan is probably best remembered for his play The Time of Your Life (1939), set in a waterfront saloon in San Francisco. It won a Pulitzer Prize, which Saroyan refused on the grounds that commerce should not judge the arts; he did accept the New York Drama Critics’ Circle award. The play was adapted into a 1948 film starring James Cagney.

Before the war, Saroyan worked on the screenplay of Golden Boy (1939), based on Clifford Odets’s play, but he never had much success in Hollywood and after his disappointment with the Human Comedy film project, he never permitted any Hollywood screen adaptation of any of his novels regardless of his financial straits.

The Human Comedy (1943) is set in the fictional California town of Ithaca in the San Joaquin Valley (based on Saroyan’s memories of Fresno, California), where young telegraph messenger Homer bears witness to the sorrows and joys of life during World War II.

“Mrs. Sandoval,” Homer said swiftly, “your son is dead. Maybe it’s a mistake. Maybe it wasn’t your son. Maybe it was somebody else. The telegram says it was Juan Domingo. But maybe the telegram is wrong…

— from The Human Comedy.

Saroyan was hired to write the screenplay for and direct the film for MGM. When Louis B. Mayer balked at its length, Saroyan would not compromise and was removed from the project. He then turned the script into a novel, publishing it just prior to the film’s release. He won the 1943 Academy Award for Best Story for the film. The novel is often credited as the source for the movie when in fact the reverse is true. The novel is the basis for a 1983 musical of the same name.

Interest in Saroyan’s novels declined after the war, when he was criticized for sentimentality. Freedom, brotherly love, and universal benevolence were for him basic values, but his idealism was considered out of step with the times. He still wrote prolifically, so that one of his readers could ask “How could you write so much good stuff and still write such bad stuff?”

In the novellas The Assyrian and other stories (1950) and in The Laughing Matter (1953) Saroyan mixed allegorical elements within a realistic novel. The plays Sam Ego’s House (1949) and The Slaughter of the Innocents (1958) were not as successful as his prewar plays. Many of Saroyan’s later plays, such as The Paris Comedy (1960), The London Comedy (1960), and Settled Out of Court (1969), premiered in Europe. Manuscripts of a number of unperformed plays are now at Stanford University with his other papers.

When Ernest Hemingway learned that Saroyan had made fun of the controversial non-fiction work Death in the Afternoon, Hemingway responded: “We’ve seen them come and go. Good ones too. Better ones than you, Mr. Saroyan.”

In the late 1960s and the 1970s, Saroyan earned more money and finally got out of debt.

Saroyan also painted. He said: “I made drawings before I learned how to write. The impulse to do so seems basic – it is both the invention and the use of language.” His abstract expressionist works were exhibited by the Anita Shapolsky Gallery in New York City.

In 1979, William Saroyan was inducted into the American Theater Hall of Fame.

Private life of William…

Saroyan had a correspondence with writer Sanora Babb that began in 1932 and ended in 1941, that grew into an unrequited love affair on Saroyan’s part.

In 1943, Saroyan married actress Carol Marcus (1924–2003; also known as Carol Grace), with whom he had two children, Aram, who became an author and published a book about his father, and Lucy, who became an actress. By the late 1940s, Saroyan’s drinking and gambling took a toll on his marriage, and in 1949, upon returning from an extended European trip, he filed for divorce. They were remarried briefly in 1951 and divorced again in 1952 with Marcus later claiming in her autobiography, Among the Porcupines: A Memoir, that Saroyan was abusive.

Carol subsequently married actor Walter Matthau.

Saroyan died in Fresno, of prostate cancer at age 72. Half of his ashes were buried in California and the remainder in Armenia at the Komitas Pantheon near fellow artists such as composer Aram Khachaturian, painter Martiros Sarian, and film director Sergei Parajanov.

William Saroyan >> Bibliography

W. Saroyan’s books…

– The Daring Young Man on the Flying Trapeze (1935).
– Inhale and Exhale (1936).
– Three Times Three (1936).
– Little Children (1937).
– The Trouble With Tigers (1938).
– Peace, It’s Wonderful (1939).
– Love Here Is My Hat (1938).
– My Name Is Aram (1940).
– Razzle-Dazzle (1942).
– The Human Comedy (1943).
– Get Away Old Man (1944).
– Dear Baby (1944).
– The Adventures of Wesley Jackson (1946).
– The Twin Adventures (1950) Saroyan’s journal with reprint of Wesley Jackson.
– Rock Wagram (1951).
– Tracy’s Tiger (1952).
– The Bicycle Rider in Beverly Hills (1952).
– The Laughing Matter (1953).
– Love (1955).
– The Whole Voyald and Other Stories (1956).
– Mama I Love You (1956).
– Papa You’re Crazy (1957).
– Here Comes, There Goes, You Know Who (1962).
– – “Gaston” (1962), short story collected in Madness…
– Boys and Girls Together (1963).
– Me: A Modern Masters Book for Children (1963), illustrated by Murray Tinkelman.
– Not Dying (1963).
– One Day in the Afternoon of the World (1964).
– Short Drive, Sweet Chariot (1966).
– I Used to Believe I Had Forever, Now I’m Not So Sure (1968).
– The Man with the Heart in the Highlands and other stories (1968).
– Letter from 74 rue Taitbout (1971).
– Places Where I’ve Done Time 1972 (original printing possibly 1957).
– Days of Life and Death and Escape to the Moon (1973).
– Sons Come and Go, Mothers Hang In Forever (1976).
– Chance Meetings (1978).
– Obituaries (1979).
– Births (1983).
– My name is Saroyan (1983).
– Madness in the Family (1988), collected late stories.

Plays of the American writer William Saroyan…

– The Time of Your Life (1939) – winner of the New York Drama Critics’ Circle and the Pulitzer Prize for Drama.
– My Heart’s in the Highlands (1939).
– Elmer and Lily (1939).
– Three plays (1940):
– – My heart’s in the Highlands.
– – The time of your life.
– – Love’s old sweet song.
– The Agony of Little Nations (1940).
– Subway Circus (1940).
– Hello Out There (1941).
– Across the Board on Tomorrow Morning (1941).
– The Beautiful People (1941).
– Bad Men in the West (1942).
– Talking to You (1942).
– Coming Through the Rye (1942).
– Don’t Go Away Mad (1947).
– Jim Dandy (1947).
– The Slaughter of the Innocents (1952).
– The Oyster and the Pearl (Television Play) (1953).
– The Stolen Secret (1954).
– A Midsummer Daydream (Television Play) (1955).
– The Cave Dwellers (1958).
– Sam, The Highest Jumper Of Them All, or the London Comedy (1960).
– Hanging around the Wabash (1961).
– The Dogs, or the Paris Comedy (1969).
– Armenian (1971).
– Assassinations (1974).
– Tales from the Vienna Streets (1980).
– An Armenian Trilogy (1986).
– The Parsley Garden (1992).

Short stories of William Saroyan…

– “1,2,3,4,5,6,7,8”.
– “An Ornery Kind of Kid”.
– “The Filipino and the Drunkard”.
– “Gaston” (date unknown).
– “The Hummingbird That Lived Through Winter”.
– “Knife-Like, Flower-Like, Like Nothing At All in the World” (1942).
– “The Mourner”.
– “The Parsley Garden”.
– “Resurrection of a Life” (1935).
– “The Barber´s Uncle”.
– The Summer of the Beautiful White Horse (1938).
– “Seventy Thousand Assyrians” (1934).
– “The Shepherd’s Daughter”.
– “Sweetheart Sweetheart Sweetheart”.
– “Third day after Christmas” (1926).
– “Five Ripe Pears” (1935).
– “Pomegranate Trees” (year unknown).
– “Seventeen” (written during the Great Depression, in the collection of The Daring Young Man on the Flying Trapeze – and Other Stories.

William Saroyan’s poems…

– “Me” (The Saturday Evening Post, March 9, 1963, illustrated by Murray Tinkelman).

Song of the writer William Saroyan…

– “Come On-a My House”, a hit for Rosemary Clooney, based on an Armenian folk song, written with his cousin, Ross Bagdasarian, later the impresario of Alvin and the Chipmunks.

William Saroyan (Photos)

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20 thoughts on “William Saroyan one of the best writers of America”

  1. I am delighted with works of this writer. It isn’t enough such writers. Unfortunately, he abandoned us.

  2. For all hundred percent William Saroyan was not only one of the best writers, but also the excellent, kind person, I know it because I was told by the grandfather, they were on friendly terms.

  3. The surprising and unique writer William Saroyan was conferred the Pulitzer Prize for the drama in 1940, but he refused to accept an award. According to information from the open encyclopedia “Wikipedia”, he refused an award because he considered, “Commerce shouldn’t judge art”. Perhaps, it is one more of his ways to tell, – “art doesn’t need awards and money”.

    William Saroyan was skeptical about the money and awards received for art which has to be absolutely free for all. He also didn’t respect people who sold the creations. Once he told, – “Look at the Oscar on an award ceremony… How many stinkers received an award for the best picture… Disgustingly simply”. And William Saroyan certainly was right, people only also try to sell themselves more expensively, here for such opinion I also respect William.

  4. I read his books still in the eighties, they were pleasant to me everything, I remember them to this day! In our heavy time of writers of similar to William Saroyan just isn’t present, and, it is very sad… Most of really talented writers as well as William Saroyan lived long ago, and current authors, it is even a shame to call writers!

  5. I read his work “The Time of Your Life”, about seven years ago, and it exerted huge impact on me, now I see things in a new way. William Saroyan completely changed my life.

  6. I read many works of different authors and I want to note that, the majority of books of William Saroyan are much more interesting, than William Faulkner or Ernest Hemingway’s works.

  7. Approximately a year ago I watched the interview which is written down with him and it inspired me on verses. Now, when I need to write small poems for the family, I watch this video with William Saroyan, and, at once in the head by itself verses are formed. Thank him for it.

  8. Most of all it was pleasant to me that William Saroyan wrote beautiful works with simple words, he didn’t try to select abstruse words. William Saroyan used very simple lexicon.

  9. I read his several different books, but most of all I liked the book “Little Children”. This ingenious work! And the only thing which really carried away me during reading over the past few years.

  10. During reading his books, I have a feeling that he is nearby as though he also didn’t quit this world.

  11. I very much like William Saroyan’s creativity, he is the good Armenian and the great writer…, and his creativity will always live in our hearts.

  12. I met William Saroyan twice and both times it were in the 70th years. He was very friendly with me and my friend. When I read his books, thought that he is just a grumbler, but after communication with him personally, I understood that I was mistaken. William Saroyan was really gifted writer. Undoubtedly, he made many mistakes…, all of us make mistakes…, but very few people from writers were as open as he. William saw pleasure in everything. I want to thank this world for the fact that, I was given an opportunity to communicate to William Saroyan personally!

  13. The grandmother of my husband of «Lu» was in the friendly relations with mister William Saroyan! She worked in «B Of A», and William Saroyan always approached only her behind banking operations. Despite a profession the grandmother was also a remarkable artist, for all the time of their acquaintance she painted many fine pictures for William Saroyan, and he in gratitude gave her the books signed by him! My husband owns all these books now! It very pleasant!

  14. I am proud of the fact that William Saroyan one of us, of Armenians!!! I thank.

  15. William Saroyan was the surprising person! I respect him not only as person, but also as writer, and very much I am grateful to it for his works. William Saroyan was for us, Armenians, is very important. Thank him for it!

  16. I really liked its play «Time of Your Life». William Saroyan was one of masters of the modern Drama.

  17. William Saroyan needs more wide recognition, but very few people know it, and it as equals with Hemingway and Faulkner…

  18. William Saroyan is so important to me. I first read and revered him in high school when I was 13 years old. I am 69 now, and I love him more than ever.

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